Monday, March 30, 2020

For Discussion: Other models

Carlson juxtaposes his preferred account of full and proper aesthetic appreciation of nature (the "natural environmental model") with several others, all of which, he claims, fail in a number of ways.  Most centrally, the landscape and object models (not to mention the "human chauvinistic" model) strike Carlson as errantly anthropocentric (overly concerned with humans to the neglect of nature).  Do you agree?

Auer touches on yet another concern with Carlson:  what are the boundaries, if any, between humans and nature, our technologies and those of nature (beaver damns, bird nests, etc.)?  His natural environmental model advises us to ignore the sounds of human industry when appreciating a "natural" scene.  Is he implying that humans and their attendant noises are not natural?

Sunday, March 29, 2020

Assignment #6: Carlson

1. Read Carlson, chapter 46; read also, Auer, "Environmental Aesthetics in the Age of Climate Change,":

https://www.mdpi.com/2071-1050/11/18/5001/htm

Essay #4: What is the proper way (fully) to appreciate nature aesthetically?

Due: April 17

Monday, March 2, 2020

Assignment #5: Music (updated)

1. Read Chapters 20 (Hanslick) and 53 (Kivy).

Essay #3: How does (absolute, wordless) music express or evoke (you supply the appropriate verb) emotion?

Due: Wednesday, April 1


In lieu of classroom-based communication, I'll be posing questions/comments for discussion along with recommended ancillary texts in posts on this site labeled "For discussion."  I hope that many of you will choose to contribute regularly.  (To do so, simply click on "comments" following each post.)